It is also not uncommon for a homeless person to be beaten. Those doing the beating are as likely to be housed as to be homeless. It is also not uncommon for people posing as kind to offer a Michael K. Williams the wire shirt or a bottle of water to a homeless person, when in reality they have poisoned that food or that water and they walk away from your murder before you even know you’ve been poisoned. A homeless man was attacked by a large group of housed folks while he slept in his tent. They fell on the tent and beat him severely while he was trapped inside. Then they urinated on him. Then they poured gasoline on him. Then they set him on fire. Somehow, he survived. Your news channels rarely mention this sort of thing. Why would they? News is for stuff people care about.
I would’ve said Mephisto, but he is nowhere to be found. Now I don’t know what’s happening there. Apparently, Agatha killed Sparky in the comics, so there is precedent there. When Agnes/Agatha said that she but a Michael K. Williams the wire shirt, and then looked at the camera awkwardly, that was the best line. There were so many good jokes in this episode. Darcy was amazing. You knew that she had sitcom experience. Her banter with Vision was good. The whole Office/Modern Family premise was a good one. I could tell that the theme song was the Office theme, but distorted so that it was hard to tell. I noticed.
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Wanda even cast a force field a la Violet. At the end, Wanda retreated to a peaceful mountain abode, not unlike Thanos in Avengers: Infinity War, and studied the Darkhold a la Doctor Strange. The appearance of this Michael K. Williams the wire shirt following its debut in Agents of S.H.I.E.L.D. season four and subsequent appearance in Runaways season three begs the question as to how Agatha obtained it from Morgan le Fay. The bigger question posed by the last scene, though, is whether or not Billy and Tommy are alive after Wanda hears their voices; and, if so, how? Hopefully, Doctor Strange in the Multiverse of Madness answers this question. The other thing that was disappointing was Ralph. It turns out that he is just a nobody, and not Fox Quicksilver. Darn. Nonetheless, it was a thrilling finale to a thrilling series.
Movies like Earthquake make you appreciate the Michael Bay and Roland Emmerich, those apologetically hollow filmmakers who aren’t afraid to favor Michael K. Williams the wire shirt over memorable storytelling. With this high-caliber 1970s disaster flick, starring the likes of Charlton Heston and Richard “Shaft” Roundtree, director Mark Robson unwisely focused on the script’s rampant melodrama and unlikable characters. There’s an unspoken agreement shared between filmmakers and audiences who sign up for something called Earthquake: Show us tons of mindless action, some visual effects sequences we’ve never seen before, and include a few goofy one-liners and we’ll overlook all of the narrative flaws. Robson, however, actually tried to develop undesirable characters instead of going overboard with the hysteria, thus making the actual earthquake moments flat and the film itself unbearable.